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<channel>
	<title>nadja kracunovic</title>
	<link>https://nadjakracunovic.com</link>
	<description>nadja kracunovic</description>
	<pubDate>Tue, 22 Jul 2025 19:15:22 +0000</pubDate>
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		<title>Text — desktop</title>
				
		<link>https://nadjakracunovic.com/Text-desktop</link>

		<pubDate>Tue, 22 Jul 2025 19:15:22 +0000</pubDate>

		<dc:creator>nadja kracunovic</dc:creator>

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&#60;img width="1402" height="417" width_o="1402" height_o="417" data-src="https://freight.cargo.site/t/original/i/b06b4a2157c187e0ce07c780a349b39c09fc2f406f7203d34f5086973564bfe6/NK-NK-NK.png" data-mid="236155711" border="0"  src="https://freight.cargo.site/w/1000/i/b06b4a2157c187e0ce07c780a349b39c09fc2f406f7203d34f5086973564bfe6/NK-NK-NK.png" /&#62;

	
	







	




	

Works
Interrupted Monologue Universal FactChronic Superpositions In the Name of Mother Last Name of Father:
➊ The Bride  ➋ In Your Name In case of emergency:
➊ Fight like a man ➋ Survival KitHYDRAYoung Serbian Artist AdventuresComplex on SaleIt’s me, Rose!PlacentaA place to have a soliloquy EavesdropshopSirena42mcode:o

Projects



Crying ClassroomFuture Nostalgia FMDon’t worry, it’s out of control







	

Workshops︎︎︎Publications︎︎︎








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		<title>Text — mobile</title>
				
		<link>https://nadjakracunovic.com/Text-mobile</link>

		<pubDate>Tue, 22 Jul 2025 19:15:22 +0000</pubDate>

		<dc:creator>nadja kracunovic</dc:creator>

		<guid isPermaLink="true">https://nadjakracunovic.com/Text-mobile</guid>

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&#60;img width="1402" height="417" width_o="1402" height_o="417" data-src="https://freight.cargo.site/t/original/i/b06b4a2157c187e0ce07c780a349b39c09fc2f406f7203d34f5086973564bfe6/NK-NK-NK.png" data-mid="236177981" border="0" data-scale="45" src="https://freight.cargo.site/w/1000/i/b06b4a2157c187e0ce07c780a349b39c09fc2f406f7203d34f5086973564bfe6/NK-NK-NK.png" /&#62;

	
&#60;img width="1552" height="1084" width_o="1552" height_o="1084" data-src="https://freight.cargo.site/t/original/i/37ef58d857204cf24954d5dec4dae8da7c8f042e5ac088feef3e7ffd3e5286b0/A-Woman-With-A-Spider-Face_2025.jpg" data-mid="236177987" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/37ef58d857204cf24954d5dec4dae8da7c8f042e5ac088feef3e7ffd3e5286b0/A-Woman-With-A-Spider-Face_2025.jpg" /&#62;

	



	

About
News

Contact


	Works

Chronic SuperpositionsIn the Name of Mother, Last Name of Father

The Bride / In Your Name In case of emergency 
Fight like a man / Survival KitHydraYoung Serbian Artist AdventuresComplex on SaleIt’s me, RosePlacentaA place to have a soliloquyEavesdropshopSirena42mCode:o

Projects


Workshops (How to perform a scream?)Don’t worry, it’s out of controlCrying ClassroomFuture Nostalgia FM







	©2025

	

Email︎︎︎ &#38;nbsp; 
Instagram︎︎︎ &#38;nbsp; &#38;nbsp;



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	<item>
		<title>Young Serbian Artist Adventures</title>
				
		<link>https://nadjakracunovic.com/Young-Serbian-Artist-Adventures</link>

		<pubDate>Thu, 23 May 2024 21:50:29 +0000</pubDate>

		<dc:creator>nadja kracunovic</dc:creator>

		<guid isPermaLink="true">https://nadjakracunovic.com/Young-Serbian-Artist-Adventures</guid>

		<description>
	Young Serbian Artist Adventures 
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;2023-25


multimedia performative campaign




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Young Serbian Artist Adventures is a series of adventures fueled and shaped by the active participation of its audience. Through various open calls, the protagonist offers different services, showcasing and highlighting her artistic attributes.

Essentially, it is she, the young Serbian artist, who offers services, facilitates conversations, and utilizes all her artistic attributes: tone of voice, strong Slavic accent, communication skills, ethnical background, personal history, and expertise in contemporary topics. This action humorously questions the artist's role as a versatile communicator. By offering a range of services and fostering dialogue, Kracunovic playfully challenges the conventional notion of the artist as solely a creator of art.


&#60;img width="5315" height="3543" width_o="5315" height_o="3543" data-src="https://freight.cargo.site/t/original/i/b10bd1a6a5afdd5bc82dd787bfd06833d92350c865b026e05b31f91a04373565/YSAA_11m3-3.jpg" data-mid="213346773" border="0"  src="https://freight.cargo.site/w/1000/i/b10bd1a6a5afdd5bc82dd787bfd06833d92350c865b026e05b31f91a04373565/YSAA_11m3-3.jpg" /&#62;
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11m3 Projektraum, Weimar (GER), 
Ph: Carlos Santos










2024



Adventure 2024-25:
Young Serbian Artist Art Hotline

Porto (PT), Geneva (CH), Weimar (GER), Cluj-Napoca (RO)


①Hotline Talkshow, CRL - Central Eletrica, Porto  ②Solo Exhibition 11m3 Projektraum Weimar ③Group Exhibition ‘’Lovely Autonomy’’, La Collective &#38;amp; Bowie Gallery, Geneva④ Group show‘’Whatever is new about this show, is not yet visible, Zina Gallery, Cluj-Napoca


This second multimedia adventure serves as a hotline, allowing the public to engage in conversations with a young Serbian artist. Through these exchanges, callers can gain insights, share thoughts, ask questions, or simply share a joke or concern – anything they feel compelled to discuss or dare to ask.



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2023




Adventure 2022-3: Young Serbian Artist Looking for an Art Job

Belgrade (SRB), Berlin, Leipzig, Weimar (GER)



In order to fulfill one of the requirements for obtaining a German visa, a young Serbian artist sets out on an adventure to find a job in the art field. The poster with the open call was pasted in several cities in Germany, as well as in her home city, Belgrade. Within the project, until April 2023, Kracunovic has been offered 18 different artistic jobs: from which she was hired 2 times in Serbia, and 5 times in Germany.





&#60;img width="2480" height="3508" width_o="2480" height_o="3508" data-src="https://freight.cargo.site/t/original/i/9ff11b05493a1669db6a9dfdd2910f2c5281dce94bfeb870e77d6675d0f84c69/YoungSerbianArtist_LookingForAnArtJob_SERBIAN.jpg" data-mid="211654085" border="0"  src="https://freight.cargo.site/w/1000/i/9ff11b05493a1669db6a9dfdd2910f2c5281dce94bfeb870e77d6675d0f84c69/YoungSerbianArtist_LookingForAnArtJob_SERBIAN.jpg" /&#62;
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The adventure has taken place between 4th - 18th June 2024 parallel in three different locations (Porto, Geneva, Weimar)


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	<item>
		<title>Hydra</title>
				
		<link>https://nadjakracunovic.com/Hydra</link>

		<pubDate>Thu, 23 May 2024 22:38:43 +0000</pubDate>

		<dc:creator>nadja kracunovic</dc:creator>

		<guid isPermaLink="true">https://nadjakracunovic.com/Hydra</guid>

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Hydra&#38;nbsp;&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; 
2023&#38;nbsp;

video performance (color, stereo, 00:17:30)

Kirschplantage, Weimar (DE)


Performers: Denise Lee, Lucia Gonzalez, Rand Ibrahim, Laura Leal, Leila Keivan, Jana Imo
Camera: Yavor Krasimirov Minchev, FangSheng Chou
Sound: Yavor Krasimirov Minchev, Ilija Đorđević


‘’Hydra’’ is a performative investigation, with the mission to master the individual female voices in the public space and dig into their unspoken, using the voice as a discipline in the discourse of personal agency and authenticity. The digging aims to dramatize the individual voices into a collective one – a matriarchal monument of voices in resistance to the personal and political landscapes - a contemporary tale. As a many-voiced Hydra creature, the piece is a consequence of the two-month-long process and voice workshops led by the artist, dealing with the autobiographies of the six female agents, their voices, tongues, and wombs.




2023&#38;nbsp; ‘’Hydra’’ was awarded as a “Most Successful Artist and Work”︎︎︎ at the 14th International Biennale of Young Artists at the Museum of Contemporary Art, Skopje (MKD) / Supported by the Frauenfonds and Diversitätfonds Weimar.






















	









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Photos: KulturHaus, Leipzig (DE), Museum of Contemporary Art&#38;nbsp; &#38;nbsp;Skopje (MKD




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Screenshots from the video performance





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	<item>
		<title>Placenta</title>
				
		<link>https://nadjakracunovic.com/Placenta</link>

		<pubDate>Sat, 31 May 2025 11:54:44 +0000</pubDate>

		<dc:creator>nadja kracunovic</dc:creator>

		<guid isPermaLink="true">https://nadjakracunovic.com/Placenta</guid>

		<description>
	






Placenta&#38;nbsp;&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; 
2022&#38;nbsp;
writing on a photograph,&#38;nbsp; A5 printsPhoto: Leila Keivan

In conversation with the artist’s mother
	





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</description>
		
	</item>
		
		
	<item>
		<title>Sirena</title>
				
		<link>https://nadjakracunovic.com/Sirena</link>

		<pubDate>Fri, 27 Sep 2024 10:09:05 +0000</pubDate>

		<dc:creator>nadja kracunovic</dc:creator>

		<guid isPermaLink="true">https://nadjakracunovic.com/Sirena</guid>

		<description>
	






Sirena
 &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 
2024&#38;nbsp;
live performance approx. 30min 
video performance 6min&#38;nbsp;created within #CleanWaters Artistic Residency in
Sulina, Danube Delta, Romania

The character of the Decolonial Mermaid, born in response to extreme injustice, brutality, and human-inflicted violence, embodies a resistant narrative through water. She performs a decolonizing poem on the coast of Sulina, addressing two seas. The mermaid drowns in the Black Sea and reappears in the Mediterranean, swimming through the Bosphorus, while collecting artifacts from the wars witnessed by these waters. Although the sea is her natural habitat, she fears entering it. By repeatedly stating, "My white body entering the Black Sea," the mermaid confronts personal, racial, cultural, and ecological oppression. 







	&#60;img width="4022" height="2683" width_o="4022" height_o="2683" data-src="https://freight.cargo.site/t/original/i/87fbe90dea3d01160323831c93c20b04d7f421e63cec1d1e0c52d8396deda18b/IFTF_2025_KatharinaDubno_A5A0525.jpg" data-mid="242023333" border="0"  src="https://freight.cargo.site/w/1000/i/87fbe90dea3d01160323831c93c20b04d7f421e63cec1d1e0c52d8396deda18b/IFTF_2025_KatharinaDubno_A5A0525.jpg" /&#62;&#60;img width="3857" height="2573" width_o="3857" height_o="2573" data-src="https://freight.cargo.site/t/original/i/dcd4c4f8e0ff1a58939005b25cd795c148cac0c3da705ae25622495fe4e3543f/IFTF_2025_KatharinaDubno_A5A0513.jpg" data-mid="242023341" border="0"  src="https://freight.cargo.site/w/1000/i/dcd4c4f8e0ff1a58939005b25cd795c148cac0c3da705ae25622495fe4e3543f/IFTF_2025_KatharinaDubno_A5A0513.jpg" /&#62;Frauen Theater Festival, Frankfurt 2025



&#60;img width="4096" height="2160" width_o="4096" height_o="2160" data-src="https://freight.cargo.site/t/original/i/23a05ec900ab21a85430e9f27290af8706753d62386012650e68a8039bfc45a8/Sequence-02.00_05_25_19.Still007.jpg" data-mid="219327303" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/23a05ec900ab21a85430e9f27290af8706753d62386012650e68a8039bfc45a8/Sequence-02.00_05_25_19.Still007.jpg" /&#62;
Screenshots from the video performance (Sulina, Romania, 2024) Camera: Marco Verhoogt




&#60;img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/c94a2fa1738b50f10247c55c6f8b379a5b9679e5595f3402d8e9eec6a75b8716/DSC04756.JPG" data-mid="227511224" border="0"  src="https://freight.cargo.site/w/1000/i/c94a2fa1738b50f10247c55c6f8b379a5b9679e5595f3402d8e9eec6a75b8716/DSC04756.JPG" /&#62;

Video piece shown at the group exhibition at the Museum Municipal Calarasi (RO)




</description>
		
	</item>
		
		
	<item>
		<title>Don’t worry, it’s out of control  </title>
				
		<link>https://nadjakracunovic.com/Don-t-worry-it-s-out-of-control</link>

		<pubDate>Sat, 25 May 2024 18:24:02 +0000</pubDate>

		<dc:creator>nadja kracunovic</dc:creator>

		<guid isPermaLink="true">https://nadjakracunovic.com/Don-t-worry-it-s-out-of-control</guid>

		<description>
	





Don’t worry, it’s out of control &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 
2023
interdisciplinary large ensemble
Offical website︎︎︎


Concept, Music, Conduction: Nicklas Koppe

Texts, Performance: Nadja Kracunovic

Ensemble: Julia Villarroel (guitar), Tara Sarter / 

Peter Ehwald

 (saxophone), Gervasio Tarragona (clarinet), Daniel Moreno (trombone),
Felix Gerbig / 

Thomas Tito

(bass), Felix Neumann&#38;nbsp;

(drums)










&#60;img width="4967" height="3329" width_o="4967" height_o="3329" data-src="https://freight.cargo.site/t/original/i/9c1297ed3a908e609c7a14ee6257fbf2024ce4f1c4ef7ee4352405a51f2f5259/2025_01_29_don-t-worry_15.jpg" data-mid="246250499" border="0"  src="https://freight.cargo.site/w/1000/i/9c1297ed3a908e609c7a14ee6257fbf2024ce4f1c4ef7ee4352405a51f2f5259/2025_01_29_don-t-worry_15.jpg" /&#62;



Short film teaser︎︎︎

Scenario 1: Sustainability (full video)︎︎︎

Live in naTo Leipzig︎︎︎







	






&#60;img width="5472" height="3648" width_o="5472" height_o="3648" data-src="https://freight.cargo.site/t/original/i/4e9ebb5b03b954adf307d8bf4c383239bcfdd162062008a5bd723a889979c210/IMG_9662.JPG" data-mid="221477589" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/4e9ebb5b03b954adf307d8bf4c383239bcfdd162062008a5bd723a889979c210/IMG_9662.JPG" /&#62;


Music video, Notenbank, August 2024, @Leila Keivan













Don’t worry, it’s out of control is an interdisciplinary ensemble that blends contemporary music, text, performance, and projections, founded by musician Nicklas Koppe (Germany) in collaboration with artist Nađa Kračunović (Serbia). 

Through five dream-like sequences, the performance interprets scientific climate crisis scenarios as envisioned from the year 2100 (SSPs), creating a shift in perspective that aims to uncover ecological narratives for our society. This perspective encourages a fresh critique of present-day issues with newfound clarity.
The project is performed in various settings, such as concert halls, theaters, and galleries, and is tailored to each space. 





&#60;img width="4630" height="3103" width_o="4630" height_o="3103" data-src="https://freight.cargo.site/t/original/i/3aeb3ac555bd259ecc81ef22eddf36744d289ab277a7fea9090a00f5c23b7006/2025_01_29_don-t-worry_35.jpg" data-mid="227511771" border="0"  src="https://freight.cargo.site/w/1000/i/3aeb3ac555bd259ecc81ef22eddf36744d289ab277a7fea9090a00f5c23b7006/2025_01_29_don-t-worry_35.jpg" /&#62;
&#60;img width="5216" height="3497" width_o="5216" height_o="3497" data-src="https://freight.cargo.site/t/original/i/274ecea86dbc2713aac01e720460f1154f5ebb3da13573bbccd88bbed9831469/2025_01_29_don-t-worry_10.jpg" data-mid="236178489" border="0"  src="https://freight.cargo.site/w/1000/i/274ecea86dbc2713aac01e720460f1154f5ebb3da13573bbccd88bbed9831469/2025_01_29_don-t-worry_10.jpg" /&#62;

Concert at the naTo Leipzig,January 2025 (GER)

@Vitor Mattos


</description>
		
	</item>
		
		
	<item>
		<title>CODE:O</title>
				
		<link>https://nadjakracunovic.com/CODE-O</link>

		<pubDate>Sat, 25 May 2024 18:39:09 +0000</pubDate>

		<dc:creator>nadja kracunovic</dc:creator>

		<guid isPermaLink="true">https://nadjakracunovic.com/CODE-O</guid>

		<description>
	





CODE:O&#38;nbsp;&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; 
2023
diary&#38;nbsp;

gag-reading

Duration: 00:25:00Material Girls, IRRE Space (DE)
recording︎︎︎


&#60;img width="720" height="1280" width_o="720" height_o="1280" data-src="https://freight.cargo.site/t/original/i/12c717fac6d687613e8cf52c6394d9e5ec909c15cae59d5ad7ef715518895fd3/sayu-3.jpg" data-mid="211655551" border="0"  src="https://freight.cargo.site/w/720/i/12c717fac6d687613e8cf52c6394d9e5ec909c15cae59d5ad7ef715518895fd3/sayu-3.jpg" /&#62;
&#60;img width="1080" height="1920" width_o="1080" height_o="1920" data-src="https://freight.cargo.site/t/original/i/e82f67f48c654fe49c3490ec92a092657cd03fe0af1feaad76c5bdf4b29f8c32/IMG_0050.00_00_04_16.Still001.jpg" data-mid="211655070" border="0"  src="https://freight.cargo.site/w/1000/i/e82f67f48c654fe49c3490ec92a092657cd03fe0af1feaad76c5bdf4b29f8c32/IMG_0050.00_00_04_16.Still001.jpg" /&#62;
&#60;img width="1200" height="1600" width_o="1200" height_o="1600" data-src="https://freight.cargo.site/t/original/i/73a9909c21088ff32a3c69b85fdfd0e7445f8fee8b62ac45de258028f9150c87/Sayu-2.jpg" data-mid="211655552" border="0"  src="https://freight.cargo.site/w/1000/i/73a9909c21088ff32a3c69b85fdfd0e7445f8fee8b62ac45de258028f9150c87/Sayu-2.jpg" /&#62;
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/2db18a876de39744eb96b89b51fe46555e35164fb76e261f9334e16485bc2353/IMG_0050.00_00_09_18.Still005.jpg" data-mid="211655549" border="0"  src="https://freight.cargo.site/w/1000/i/2db18a876de39744eb96b89b51fe46555e35164fb76e261f9334e16485bc2353/IMG_0050.00_00_09_18.Still005.jpg" /&#62;


	



‘’Code:o’’ is a technique of diary reading, gagged, while performing a personal diary and interacting with different settings and
materials. 
It’s the code that addresses all the
holes in the female body: of a mistress, a muse, a daughter, and a lover while guarding the cavities. Kracunovic uses her body and voice to narrate the diary texts
in an intimate setting, offering a new language to the audience.


&#60;img width="1744" height="1213" width_o="1744" height_o="1213" data-src="https://freight.cargo.site/t/original/i/03a63eb0a7a08cac9915f9b1d0c823bfe71c98f47d179ecd952e155e26c1e8da/Untitled-10-page-00001.jpg" data-mid="211655209" border="0"  src="https://freight.cargo.site/w/1000/i/03a63eb0a7a08cac9915f9b1d0c823bfe71c98f47d179ecd952e155e26c1e8da/Untitled-10-page-00001.jpg" /&#62;






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	</item>
		
		
	<item>
		<title>     Chronic Superpositions</title>
				
		<link>https://nadjakracunovic.com/Chronic-Superpositions</link>

		<pubDate>Mon, 07 Jul 2025 17:40:18 +0000</pubDate>

		<dc:creator>nadja kracunovic</dc:creator>

		<guid isPermaLink="true">https://nadjakracunovic.com/Chronic-Superpositions</guid>

		<description>
	





Chronic Superpositions&#38;nbsp;
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; 
2025
photographs, drawings, collages


Chronic Superpositions is a series of drawings and objects that map the symptoms of the invisibly disabled body, exploring their transformation into super-characters. These women superimpose the lived realities of chronic illness onto visual forms, drawing from female-identified, feminist, crip, and queer perspectives. Imbued with imagined superpowers, the figures employ humor, poetics, and autotheory as strategies for survival.


‘’I know what doctors think
of complaining women. It’s not in
my head, rather it’s
in my spine, my legs, the soft fleshy bit, between my
thumb and index finger.’’
(Chloë Lum and Yannick Desranleau, What Do
Stones Smell Like in the Forest?, 2018.)






&#60;img width="6856" height="5755" width_o="6856" height_o="5755" data-src="https://freight.cargo.site/t/original/i/2c9ced36d69f8b0f138ae91b9f8c578f253d88713ec2c59a549ab150b5741d2e/DSC03274.jpg" data-mid="242023747" border="0"  src="https://freight.cargo.site/w/1000/i/2c9ced36d69f8b0f138ae91b9f8c578f253d88713ec2c59a549ab150b5741d2e/DSC03274.jpg" /&#62;Only A Sick Girl, mental medication box (45x45cm)


 &#60;img width="2624" height="3936" width_o="2624" height_o="3936" data-src="https://freight.cargo.site/t/original/i/a9d3681af221b89243a97888ab87c0f7a01d5a47918f38a83cc08b8166ee3071/dec-2025-izlozba-perf-razgovor-701053.jpgggggg.jpg" data-mid="241863220" border="0"  src="https://freight.cargo.site/w/1000/i/a9d3681af221b89243a97888ab87c0f7a01d5a47918f38a83cc08b8166ee3071/dec-2025-izlozba-perf-razgovor-701053.jpgggggg.jpg" /&#62;
	&#60;img width="2704" height="1802" width_o="2704" height_o="1802" data-src="https://freight.cargo.site/t/original/i/0de9eb883f7dde2cd1c02b7fb6bbd8003270bbf63ee3413585cc5ec2c39ba69d/dec-2025-izlozba-perf-razgovor-700946.jpgdddd.jpg" data-mid="241861856" border="0"  src="https://freight.cargo.site/w/1000/i/0de9eb883f7dde2cd1c02b7fb6bbd8003270bbf63ee3413585cc5ec2c39ba69d/dec-2025-izlozba-perf-razgovor-700946.jpgdddd.jpg" /&#62;

Unboxing €1.697.80, drawings on Kesimpta medication boxes, Vagon Gallery, BiH (2025)





&#60;img width="2704" height="1864" width_o="2704" height_o="1864" data-src="https://freight.cargo.site/t/original/i/fbf091beea9bb1436f8f87e4092377276dd54b18364051fd371fb47c52a685e9/dec-2025-izlozba-perf-razgovor-700946.jpgsssss.jpg" data-mid="241861852" border="0"  src="https://freight.cargo.site/w/1000/i/fbf091beea9bb1436f8f87e4092377276dd54b18364051fd371fb47c52a685e9/dec-2025-izlozba-perf-razgovor-700946.jpgsssss.jpg" /&#62;

Chronic Superpositions, map, solo show at the Vagon Gallery, BiH (2025)

&#60;img width="2704" height="1802" width_o="2704" height_o="1802" data-src="https://freight.cargo.site/t/original/i/1fa180e84ea41f220bc7a1b9d0206f2d750f4bbfe0945046fca8fe63eb466c03/Distorzije.jpg" data-mid="241861878" border="0"  src="https://freight.cargo.site/w/1000/i/1fa180e84ea41f220bc7a1b9d0206f2d750f4bbfe0945046fca8fe63eb466c03/Distorzije.jpg" /&#62;

Corpus Hystericum (Woman Mutant), installation, Vagon Gallery, BiH (2025)






&#60;img width="3936" height="2624" width_o="3936" height_o="2624" data-src="https://freight.cargo.site/t/original/i/5193eea9fbddced4bb3d8d418331addfa654601cf7de0364a6233786b10c896a/dec-2025-izlozba-perf-razgovor-700955.jpg" data-mid="241863227" border="0"  src="https://freight.cargo.site/w/1000/i/5193eea9fbddced4bb3d8d418331addfa654601cf7de0364a6233786b10c896a/dec-2025-izlozba-perf-razgovor-700955.jpg" /&#62;
&#60;img width="2049" height="3056" width_o="2049" height_o="3056" data-src="https://freight.cargo.site/t/original/i/67eee09c1dfed811398cce3b56f134054726c4a475fff5eba5ef9318419d4fda/dec-2025-izlozba-perf-razgovor-701054.jpggggg.jpg" data-mid="241863224" border="0"  src="https://freight.cargo.site/w/1000/i/67eee09c1dfed811398cce3b56f134054726c4a475fff5eba5ef9318419d4fda/dec-2025-izlozba-perf-razgovor-701054.jpggggg.jpg" /&#62;



	











&#60;img width="1552" height="1084" width_o="1552" height_o="1084" data-src="https://freight.cargo.site/t/original/i/c32f5d74668eccf4ad05d4c706c43b789745248251dcb62668e127c46b21913b/A-Woman-With-A-Spider-Face_2025.jpg" data-mid="235498770" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/c32f5d74668eccf4ad05d4c706c43b789745248251dcb62668e127c46b21913b/A-Woman-With-A-Spider-Face_2025.jpg" /&#62;

Spiders, Spiders, Spiders Everywhere, A2 photograph with a painting, 2025


</description>
		
	</item>
		
		
	<item>
		<title>In the Name of Mother, Last Name of Father</title>
				
		<link>https://nadjakracunovic.com/In-the-Name-of-Mother-Last-Name-of-Father</link>

		<pubDate>Mon, 19 Aug 2024 18:46:32 +0000</pubDate>

		<dc:creator>nadja kracunovic</dc:creator>

		<guid isPermaLink="true">https://nadjakracunovic.com/In-the-Name-of-Mother-Last-Name-of-Father</guid>

		<description>
	





In the Name of Mother,
In the Last Name of Father 
 &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 
2024



Solo exhibition at the Museum of Contemporary Art Skopje, North Macedonia (film, installation, intervention on the wall, performance)



Balkan Art Scene, Interview (English)︎︎︎


&#60;img width="2048" height="1365" width_o="2048" height_o="1365" data-src="https://freight.cargo.site/t/original/i/7504a4971defa0f5b590e34b2f688d8dbcd97210a1b98bbef194e50127b8dedc/458516086_960161266153299_4076985645734594031_n-1.jpg" data-mid="217736589" border="0"  src="https://freight.cargo.site/w/1000/i/7504a4971defa0f5b590e34b2f688d8dbcd97210a1b98bbef194e50127b8dedc/458516086_960161266153299_4076985645734594031_n-1.jpg" /&#62;
&#60;img width="5184" height="3888" width_o="5184" height_o="3888" data-src="https://freight.cargo.site/t/original/i/6bfc6844321dab17b40893019b78db2e11badb6f559887dc4e1792914135c102/Nadja-at-MSU-PRINT-29.jpg" data-mid="221507508" border="0"  src="https://freight.cargo.site/w/1000/i/6bfc6844321dab17b40893019b78db2e11badb6f559887dc4e1792914135c102/Nadja-at-MSU-PRINT-29.jpg" /&#62;&#60;img width="3888" height="5184" width_o="3888" height_o="5184" data-src="https://freight.cargo.site/t/original/i/794fb220691fc47cc4ea7b5bc4a9af5697e21f30eea468328565ab25f9e7eaca/Nadja-at-MSU-PRINT-28.jpg" data-mid="221507522" border="0"  src="https://freight.cargo.site/w/1000/i/794fb220691fc47cc4ea7b5bc4a9af5697e21f30eea468328565ab25f9e7eaca/Nadja-at-MSU-PRINT-28.jpg" /&#62;Photography by Rodrigue Saad



	





“In the Name of Mother, in the Last Name of Father” is Kracunovic’s first institutional solo show. It examines omnipresent systematic fatherhood and the precious single mother–single daughter relationship through poetry, tears, lipsticks, distances, and the potential to shift gravitation.



The operation consists of several works, including the video piece “The Bride,” which documents two simultaneous marriage processes and ceremonies in Serbia and Germany. Investigating the issue of the last name as a sole inheritance from the artist’s biological father as well as a tool to locate and a means to belong, the work includes conversations with the artist’s mother and grandmother, presented through interviews and spontaneous chats in everyday situations.


“In Your Name” is a performance by the artist and her mother, in which two brides perform letters exchanged over the past year. The work addresses intergenerational female solidarity and rescue using red lipsticks to write their novel.





&#60;img width="5184" height="3888" width_o="5184" height_o="3888" data-src="https://freight.cargo.site/t/original/i/755c199e970665b5723ebdd7172b452949b03f7a2ff4604b00e570a46a76ccc9/Nadja-at-MSU-PRINT-7.jpg" data-mid="221507526" border="0"  src="https://freight.cargo.site/w/1000/i/755c199e970665b5723ebdd7172b452949b03f7a2ff4604b00e570a46a76ccc9/Nadja-at-MSU-PRINT-7.jpg" /&#62;28/50, marriage certificates (July 2024)
&#60;img width="5184" height="3888" width_o="5184" height_o="3888" data-src="https://freight.cargo.site/t/original/i/92bd78f6d76c0efda6ca5cf455a4c2125dc8dd6454f6d16493a63f69cd487527/Nadja-at-MSU-PRINT-21.jpg" data-mid="221507511" border="0"  src="https://freight.cargo.site/w/1000/i/92bd78f6d76c0efda6ca5cf455a4c2125dc8dd6454f6d16493a63f69cd487527/Nadja-at-MSU-PRINT-21.jpg" /&#62;

&#60;img width="5842" height="3900" width_o="5842" height_o="3900" data-src="https://freight.cargo.site/t/original/i/7a008153f2505f6321b5d5966a16fe442462378ebc51b3f941860c21269cd06f/MJI_7075.JPG" data-mid="236178458" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/7a008153f2505f6321b5d5966a16fe442462378ebc51b3f941860c21269cd06f/MJI_7075.JPG" /&#62;

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